In yet another excellent report in the Australian Story TV series, the ABC dealt with Sydney Morning Herald reporter , Malcolm Brown, the man who commented out loud in the Darwin courtroom that the jury which convicted the Chamberlains was a pack of bastards. The dialogue said that the judge had clearly tried to direct the jury to find the Chamberlains not guilty, yet found them guilty , causing Brown’s outburst. Michael Chamberlain commented that he trusted Brown, while there were many in the media the Chamberlains did not trust.
The show told how Brown, a top notch , veteran reporter , prone to outbursts and somewhat eccentric behaviour due to a schizoid condition , was recently induced to retire from the Sydney Morning Herald after having worked there since 1972 . The story also covered the tragic ,mass sacking of staff at the SMH, part of the once great Fairfax organisation, its shares below 50cents .
In the promo for the show there was a quick still shot, above, of a newspaper room which, despite diminished eyesight , caught my attention because it was a view from the now long gone Sydney Sun general reporters room on the fifth floor of the Fairfax building on Broadway, where I once worked . In the centre of the activity, in a dark suit ( he often dressed like Dick Tracy , the comic strip detective), was Joe Morris , a legendary police roundsman , with whom I had many dealings, both as a copyboy and a reporter.
I managed to take a screen grab of that same scene the night the Australian Story on Brown was run. Downloading the shot from my digital camera the morning after, I ejaculated with surprise when I discovered that I was one of the reporters in the group at a desk behind Morris. Calling my wife, I asked her if she could identify this bloke with a phone attached to his ear. “That’s you !” I pointed out I was wearing my trendy , narrow , knitted tie, part of a Reuben F. Scarfe menswear store 20 pounds ($40) time payment scheme , another item being an Ivy League (American) , button down collar shirt . Really cool .
I managed to take a screen grab of that same scene the night the Australian Story on Brown was run. Downloading the shot from my digital camera the morning after, I ejaculated with surprise when I discovered that I was one of the reporters in the group at a desk behind Morris. Calling my wife, I asked her if she could identify this bloke with a phone attached to his ear. “That’s you !” I pointed out I was wearing my trendy , narrow , knitted tie, part of a Reuben F. Scarfe menswear store 20 pounds ($40) time payment scheme , another item being an Ivy League (American) , button down collar shirt . Really cool .
I could not recall the photo being taken , realised it was staged , and puzzled over the fact that we were facing the wrong way in the reporters room. Sitting to the left of the late Joe Morris-who will be discussed in detail in a major newspaper serial in Little Darwin sometime in the future- is a contemporary of mine , Warner Russell, so I emailed him in Sydney for comment. Both Morris and Russell were licenced to own a pistol and practised together at the police shooting gallery. Furthermore,Warner’s email address reflects his interest in firearms .
Warner fired back a quick reply and said the photo , taken in the late 1950s by my reckoning , just before I went to Darwin for the first time, had been run in the staff news and that we had been facing towards the large windows , rather than normally with them at our backs, for better lighting . Taken from this angle , the SMH sub editors’ table and reporters desks are seen in the background.--Peter Simon .