Wednesday, July 22, 2015

SEVENTEEN DOLLS AND UMPTEEN YANKEE KANGAROOS

During the artic vortex which swept through the  nation , this reviewer snuggled under a blanket on a recliner in the tropics  and  watched  on  TV  the  warming  1959  Americanised   film version of  the  highly successful Australian  play Summer of the  Seventeenth  Doll, by  Ray  Lawler , starring   Ernest  Borgnine, Anne Baxter, John Mills and Angela Lansbury, the latter with a  confected Aussie  nasally voice, sounding  like Madge the friendly manicurist in the old Palmolive dishwashing  liquid television  advertisement .

 In  fact, Lansbury is shown , below,  a widow named Pearl , giving a manicure in a barber  shop...not sure if she used  dishwashing liquid... but was  advised  to use a  blowtorch  on  the  hardened  canecutter's nails.
 
While  Lawler's  play was set in Carlton, Melbourne , the  film  switched it to Sydney, with shots of Bondi, the  Harbour Bridge and  Luna  Park . It seems Melbourne  is  more suited for movies about the end of the  world, such as On The Beach ,starring  Gregory Peck, Ava Gardner,Fred Astaire and Anthony Perkins .

 American actor Ernest Borgnine played the lead role  of "Roo", a  tough itinerant Queensland  canecutter who,  during  the  off  season , comes south  with his mate, Barny, and  teams up with his  girlfriend of 17 years ,  Olive, a barmaid , each year presenting her with a  Kewpie Doll.

The Yanks  sexed  up  the story, inserted a dash of Disneyland  by  placing some of the action inside  a toy factory, where Kangaroos are being mass produced for the Christmas market , instead of  a  dreary  Victorian  paint factory, as written by Lawler.

 Roo  is a  handyman in  the factory and gets about in a dustcoat bearing  ROO in large letters . In one part  he is seen  loading boxes of  kangas , below, onto the back of a truck ,  a neon sign for the national airline  TAA  and  the Harbour  Bridge in  the  background.     
 
This writer  was overcome  with  nostalgia  and nearly fell out of his rocker  in the  part dealing with  a  romp at  Luna Park   with  its  river caves,  Coney Island  mirror maze  and  the   Big Dipper , as I  had  disported myself  there  with  a considerable number  of   young  journalists  back  in  the 1950s , on  one  occasion  proudly  winning  a   plaster Collie or German Shepherd  dog for a  nurse called Geraldine  with my incredible  skill  at  hoopla . Those were the  days.

Anyway, The Doll play was  a smash hit in Australia, made a   big impression in the UK, where  Lawler played  Barny, Roo's offsider, and an aspiring actor Richard Pratt  also trod the boards , later becoming  the Melbourne  millionaire paper products company  chief  who, with his wife,  supported the  arts in a big way .
London theatre programme in Little Darwin Collection .
While the play received a poor response in America , mainly because the audiences had  trouble understanding the Australian vernacular , it did  result in the  film version, which upset  many, but was seen  as a  great aid to our immigration  drive to  populate or  perish to prevent being  over-run by marsupials . In America the film was released under the steamy title , Season of Passion.


In Lawler's final  dramatic scene in  the play he had  Roo smashing the doll in rage when tearful  Olive turns down his proposal of marriage.  The Yanks, however, made a happy ending to the film  with  Olive and Roo smiling  and laughing loving  at each other  over  the bar   in  a pub  which sells  Bex  headache  powders  and  cut  sandwiches ,  no sheilas  seen breasting  the  bar with the boys in  those brave  days  when  real  Aussie men  drank  with each other  and  were  interested  in   Kewpie  dolls .