Monday, August 2, 2021

MELBOURNE STREAM RAN DRY

 One of  only  three  issues   of  the  short-lived  Melbourne   Stream magazine  , August  1931 , 48pp, is  on sale for $150 in  the latest  Douglas Stewart  Fine Books list . It  dealt  in  original  poetry and fiction, essays and literature , art, music and theatre .The  last  issue  was  September  1931.

Contributors included the French cubist artist  Fernand Leger  who  went on  to make  movies , and  journalist  and  poet  Edgar  Holt  .

Holt  (1904-1988) was  brought to  Australia  from Lancashire by  his  parents and at nine years of age  was in  Brisbane . According  to Bridget  Griffen  Foley   in the Australian Dictionary of  Biography, Holt had been   an "eccentric and casual student " at the University of Queensland  where he edited  and contributed  poetry and cultural commentaries to the student  magazine Galmahra.

Another  editor of Galmahra , Aboriginal for poet, seer, teacher and philosopher, was the controversial  writer and  publisher   Percy  R. "Inky" Stephensen , whose  involvement  with   Australian   author Xavier  Herbert  in  connection with  the publication  of his  l938 Sesqui-Centenary Award winning  novel Capricornia, about the Northern Territory, and   D. H. Lawrence  has   been  covered in  this  blog . 

Edgar Holt  worked as a reporter  in  Brisbane .He was urged to go south by expatriate composer Arthur Benjamin  as Brisbane  was only " all right from  the neck down ". 

Acting on that advice , he went to Melbourne , worked on the Age and   Herald ,contributed  verse to the modernist magazine   Stream , editorialised  against Fascism .  

 The  rest of  his influential   life  in  the media ,  politics  and  cooking, with  interesting  comments  about   politics and public relations  relevant to the present situation ,  is   covered  in   the   following  large serve  from  the biography :


A special and leader-writer on the Melbourne Herald from 1935,Holt contributed book reviews and articles  about Australian literature  and culture.

 Two  years  later , his play Anzac Reunion  was published . In l939 he was elected federal president of the Australian Journalists' Association (and was awarded  its gold honour badge ), but resigned later that year when he moved to Sydney to join the dynamic Daily and Sunday Telegraphs . 

He was a political columnist and chief leader-writer, but he gained little satisfaction pontificating `on affairs great and small’ at the behest of proprietors and editors. In October 1944 he took an active role in the production of a union newspaper during a Sydney newspaper strike, relishing the opportunity `to be off the chain’. After falling out with Brian Penton, editor of the Daily Telegraph, he joined Smith’s Weekly in 1945.

( Xavier Herbert  regarded  Penton , who wrote  novels about   Queensland pioneering , as  his  shadow . Penton  had  panned  Capricornia in the Telegraph  .   Inky  Stephensen  , defending the book,  issued one of the great blasts  in   Australian  literature .)   

 A passionate cook, Holt  wrote about food using the pseudonym `Toby Belch’. He  compiled  the waspish `Political Form Guide, and edited the paper from 1947  to 1950, when it ceased publication.

An admirer of John  Curtin  and  Ben  Chifley , until the bank nationalisation scheme, Holt was appointed federal public relations officer of the Liberal Party of Australia in November 1950. He had ambitious plans: a closer liaison between the federal secretariat, the State divisions and the parliamentary and extra-parliamentary wings of the party, and measurement of public opinion on major issues. 

Although he never received the resources he required, he wrote summaries of parliamentary and policy initiatives, pamphlets such as The First Ten Years (1959), and other publicity material for Federal and State elections, including Harold Holt’s policy speech. In 1959 he visited Britain and the United States of America to investigate the use of television in political campaigning. He also appeared on the panel of the Australian Broadcasting Commission’s `Any Questions?’ and published poetry in  Southerly  and  Meanjin.

Public relations, he commented, `is  largely salesmanship, but one must know precisely what is to be sold’. For Holt, being a member of the Liberal Party entailed rejecting totalitarianism—the `crude forms of power-organisation with which this century is familiar’—and advancing the dignity and freedom of the individual.

 As early as 1943 he had identified (Sir) Robert Menzies as having the most lucid and disciplined intellect in parliament, and being the best debater, but lacking some political gifts. With the federal secretariat, Holt made the prime minister and his family the focus of party publicity, fostering the image of the fatherly `Bob Menzies’ and then the statesmanlike `Sir Robert Menzies’. He wrote Politics Is People: The Men of the Menzies Era (1969) at a time when the party leadership was fracturing.

Short and rotund, Holt had an unruly mop of grey hair, a ruddy complexion and a boisterous laugh. He joined his confrères  Kenneth Slessor  and Cyril Pearl in establishing the Condiments Club, which met at restaurants in Sydney.

Becoming increasingly vocal in his condemnation of the media, Holt blamed it for creating `instant politics’ and for manufacturing political crises. In September 1972 the party replaced him as senior public relations officer and gave him the title of senior political adviser to the secretariat.

 Following the election defeat in December, some officials grumbled about the generation of `forty-niners’. Critical of the parliamentary wing’s increasing dominance over the federal secretariat and as an admirer of E. G. Whitlam, Holt was eased out of the organisation in 1974. Roman history occupied the last years of the self-described `nonconformist’ and `civilised amateur’. Survived by his wife and their son and daughter, he died on 11 October 1988 at  Potts Point  and  was cremated.