Thursday, April 7, 2016

WHISTLER'S MARSUPIAL


Jimmy Whistler 

If he were alive today , the  renowned  American  artist James  Abbott McNeill Whistler  would  be delighted  to think that  he  would be  receiving  payment and much attention  from  the National Gallery of Victoria  exhibition of his  famous painting of his mother,  instead of  his pesky friend , the  Adelaide born artist Mortimer Menpes , whom he once  described  in  a moment of  pique  as  a  marsupial  who  raked  in  lots of  money  into   his  pouch  with   his  paws.


Whistler  and   Menpes met   in  1880 when Mortimer  was on a sketching tour of  Brittany ; they became  close friends  and  shared a  flat on the Chelsea Embankment, London . Whistler , a dashing , pugnacious, argumentative  individual, taught Menpes etching and became  godfather to  his daughter .


 The Australian  achieved  fame, popularity  and  fortune  as  a painter, etcher and  book publisher , one volume  with the title Whistler As I  Knew Him.  Menpes  covered the Boer War , travelled to  India , Japan  and  Russia , held one man exhibitions , his presentation of  the Japanese  way of  life  extremely  popular in  London high society . He imported  a  large team of Asian  artisans to convert  his  house  at  Cadogan  Gardens  into  a dazzling   Japanese style dwelling , described as the most  exciting home  in  London . In 1888 , Whistler and   Menpes quarrelled over the design , Whistler claiming it was a brazen copy of  his  own  ideas.  
Menpes  inside the  fabulous Japanese  style  house which  upset Whistler . 

This writer  first became aware of Menpes  (1855-1938) after attending a deceased estate auction in Adelaide   at which  was  bought  the scrapbook, postcards and  some books  which  had belonged to  a Northern Territory Mounted Policeman ,Tom  Turner , and  his wife , Pauline  "Alma" Rohde, a South Australian nurse who at the  age of   31 joined up as an army nurse during WWl and  sailed aboard SS Canberra  for Bombay , India . She had changed her name to  Rhodes , possibly due to the fact that her maiden name  sounded  Germanic .

 A book she bought  about  India, illustrated by Menpes, sent to her  father with a brief note , was   in  the  auction . After working in a military hospital in India, she  transferred  to escort duty in the Persian  Gulf and off  Marseilles . One of her apparent souvenirs was  a piece of trench  art  in  the shape of  a biplane made out of  bullets . During the war  and after , she and Tom kept in contact by correspondence ;  and  after 19 years  finally  married .

The Japanese  influence  on  his art  is highlighted in this  2014 catalogue  cover of The World of Mortimer Menpes -Painter, Etcher, Raconteur- exhibition at the South Australian Art Gallery. In 1911  Menpes  presented Australia with 38 copies of the  world's old  masters , now in the National Library of Australia,  to  boost  the   interest   in  art  in  his   homeland . 
 

Strange to say, Whistler  is  listed in the Macquarie Pocket Dictionary, but not Menpes .The painting of Whistler's Mother on loan from  the Musee d'Orsay , Paris.The photograph of Whistler run here shows him hamming it up  holding a top hat, with a rolled down cloak and what appears to be  a long staff for walking It is from a  1930s  French  art magazine , Verve, popular with Melbourne's  Heidi group which  had  a  big  impact  on  the  nation's  cultural  growth. Our copy of the magazine includes  a Whistler  painting  of  Venice .