One of only three issues of the short-lived Melbourne Stream magazine , August 1931 , 48pp, is on sale for $150 in the latest Douglas Stewart Fine Books list . It dealt in original poetry and fiction, essays and literature , art, music and theatre .The last issue was September 1931.
Contributors included the French cubist artist Fernand Leger who went on to make movies , and journalist and poet Edgar Holt .
Holt (1904-1988) was brought to Australia from Lancashire by his parents and at nine years of age was in Brisbane . According to Bridget Griffen Foley in the Australian Dictionary of Biography, Holt had been an "eccentric and casual student " at the University of Queensland where he edited and contributed poetry and cultural commentaries to the student magazine Galmahra.
Another editor of Galmahra , Aboriginal for poet, seer, teacher and philosopher, was the controversial writer and publisher Percy R. "Inky" Stephensen , whose involvement with Australian author Xavier Herbert in connection with the publication of his l938 Sesqui-Centenary Award winning novel Capricornia, about the Northern Territory, and D. H. Lawrence has been covered in this blog .
Edgar Holt worked as a reporter in Brisbane .He was urged to go south by expatriate composer Arthur Benjamin as Brisbane was only " all right from the neck down ".
Acting on that advice , he went to Melbourne , worked on the Age and Herald ,contributed verse to the modernist magazine Stream , editorialised against Fascism .
The rest of his influential life in the media , politics and cooking, with interesting comments about politics and public relations relevant to the present situation , is covered in the following large serve from the biography :
A special and leader-writer on the Melbourne Herald from 1935,Holt contributed book reviews and articles about Australian literature and culture.
Two years later , his play Anzac Reunion was published . In l939 he was elected federal president of the Australian Journalists' Association (and was awarded its gold honour badge ), but resigned later that year when he moved to Sydney to join the dynamic Daily and Sunday Telegraphs .
He was a political columnist and chief leader-writer, but he gained little satisfaction pontificating `on affairs great and small’ at the behest of proprietors and editors. In October 1944 he took an active role in the production of a union newspaper during a Sydney newspaper strike, relishing the opportunity `to be off the chain’. After falling out with Brian Penton, editor of the Daily Telegraph, he joined Smith’s Weekly in 1945.
( Xavier Herbert regarded Penton , who wrote novels about Queensland pioneering , as his shadow . Penton had panned Capricornia in the Telegraph . Inky Stephensen , defending the book, issued one of the great blasts in Australian literature .)
A passionate cook, Holt wrote about food using the pseudonym `Toby Belch’. He compiled the waspish `Political Form Guide’, and edited the paper from 1947 to 1950, when it ceased publication.
An admirer of John Curtin and Ben Chifley , until the bank nationalisation scheme, Holt was appointed federal public relations officer of the Liberal Party of Australia in November 1950. He had ambitious plans: a closer liaison between the federal secretariat, the State divisions and the parliamentary and extra-parliamentary wings of the party, and measurement of public opinion on major issues.
Although he never received the resources he required, he wrote summaries of parliamentary and policy initiatives, pamphlets such as The First Ten Years (1959), and other publicity material for Federal and State elections, including Harold Holt’s policy speech. In 1959 he visited Britain and the United States of America to investigate the use of television in political campaigning. He also appeared on the panel of the Australian Broadcasting Commission’s `Any Questions?’ and published poetry in Southerly and Meanjin.
Public relations, he commented, `is largely salesmanship, but one must know precisely what is to be sold’. For Holt, being a member of the Liberal Party entailed rejecting totalitarianism—the `crude forms of power-organisation with which this century is familiar’—and advancing the dignity and freedom of the individual.
As early as 1943 he had identified (Sir) Robert Menzies as having the most lucid and disciplined intellect in parliament, and being the best debater, but lacking some political gifts. With the federal secretariat, Holt made the prime minister and his family the focus of party publicity, fostering the image of the fatherly `Bob Menzies’ and then the statesmanlike `Sir Robert Menzies’. He wrote Politics Is People: The Men of the Menzies Era (1969) at a time when the party leadership was fracturing.
Short and rotund, Holt had an unruly mop of grey hair, a ruddy complexion and a boisterous laugh. He joined his confrères Kenneth Slessor and Cyril Pearl in establishing the Condiments Club, which met at restaurants in Sydney.
Becoming increasingly vocal in his condemnation of the media, Holt blamed it for creating `instant politics’ and for manufacturing political crises. In September 1972 the party replaced him as senior public relations officer and gave him the title of senior political adviser to the secretariat.
Following the election defeat in December, some officials grumbled about the generation of `forty-niners’. Critical of the parliamentary wing’s increasing dominance over the federal secretariat and as an admirer of E. G. Whitlam, Holt was eased out of the organisation in 1974. Roman history occupied the last years of the self-described `nonconformist’ and `civilised amateur’. Survived by his wife and their son and daughter, he died on 11 October 1988 at Potts Point and was cremated.
